Involuntary Writing unfolds as an installation that brings together site-specific murals and a triptych consisting of a digital scan, a black and white photograph, and a rubber stamp imprint.  

The project highlights unintentional ink stains that occur while writing by hand. The artist turns attention to these unintended marks, treating them as visual forms in their own right, which are magnified and reworked within the exhibition space. He foregrounds their idiosyncratic, irregular shapes as visual elements that are neither illustrations, symbolic representations, nor abstractions, but incomprehensible forms that, nevertheless, radiate familiarity. Rather than trying to define or interpret them, the project leans into this ambiguity by adopting a non-interpretative gaze – one that is more akin to “listening to shapes”, allowing their presence to be felt rather than explained.